The scene where he questions the lyrics of the nursery rhyme, Jack and Jill, and asks why can’t Jack go with Johhny, is quite powerful and has the potential to become the gay anthem in the future. He is in form, and convincingly pulls off his flamboyant character without losing grip even for once. In one of the scenes, Ayushmann says, ‘Aur tab mujhe pata chala ki Amitabh Bachchan bante nahi, Amitabh Bachchan to hotey hain’.Īyushmann has ticked yet another box on his checklist with this film. While the first half has them in abundance, the second half lacks the comic flair.Īlso, there are quite a few intelligent references to Amitabh Bachchan - Kaun Banega Crorepati, iconic dialogue from Deewar and the Jai-Veeru song from Sholay - that are bound to catch your attention. Some of them include - ‘Policy mature ho jaati hai beti nahi’, ‘Chhat hai ya meri sautan, jab dekho chhad kar baith jaate hain’, ‘Iss desh mein bachhe phatne ke liye paida hote hain phaadne ke liye nahi’.
SHUBH MANGAL ZYADA SAAVDHAN MOVIE CRACK
And the rest of the film is about the duo convincing the family, breaking stereotypes along the way and working towards a ‘happy ending’ they feel they deserve by all means.įull credit goes to Kewalya for writing some genuinely hilarious dialogues that crack you up every now and then. It’s during a train journey for a wedding that Tripathi family gets to know of Aman and Kartik’s relationship. Back home in Allahabad, Aman’s parents are oblivious to their son’s sexual preferences and are trying to set him up with a pretty girl, Kusum (Pankhuri Awasthy). Aman and Kartik are shown as a happy gay couple living together in Delhi. The introduction scene sets the mood, establishing the characters and the storyline. I particularly liked how the film jumps right into it without wasting time on peripherals. Even when his mother, played by Neena Gupta, realises her son’s sexual orientation, she believes it to be an illness, a disorder and assures him that they’ll get him treated as medical science is so advanced today. For instance, Aman’s scientist father, played by Gajraj Rao, literally throws up on seeing his son kissing his boyfriend, and there is disgust on his face each time he sees Aman and Kartik together. Shubh Mangal Zyada Saavdhan effectively showcases the reluctance of the family to embrace their son’s sexuality they prefer to live in denial. The film takes on homophobia, and not homosexuality.
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